top of page

Lauren
Edworthy

 Stage & Screen Actor

Age: 21

Playing Age: 18-25

Height: 5'9

Hair colour: Brown, Long

Eye Colour: Brown

Nationality: British

Voice Quality: deep, authoritative

About me

I am a Norwich-based actor who recently graduated from Norwich University of The Arts with a BA in acting. As an actor, I aim to practice work that challenges the bounds of realism and explores physical and emotional extremes within characters. Using practitioners such as Bertolt Brecht and Steven Berkoff I am interested in the blending of 'epic theatre' and naturalism, stylistic performance and psychological truth across the disciplines of stage and screen. I enjoy creating characters who use physicality and rhythm as an equal to dialogue to communicate meaning, exploring how these practices can be used in training to push the boundaries of naturalistic performance.

 

My character study approach entails a strong focus on the translated tension between inner emotion and outward performance. I am interested in theatre and film that provokes the questioning of social behaviour through visually expressive storytelling. Through acting, I aim to create performances that are bold, emotionally honest and challenging, experimenting how to push naturalism beyond its expected conventions through stylistic character work.

Education

Teign School

The Leonard School of Dramatic Art

BA Acting (Hons) - Norwich University Of The Arts

LAMDA Grade 6- Verse & Pros

trash bag pic_edited.jpg

Credits

 

Good Person Of Szechwan

type: Musical 

Year: 2026

Role: Mrs Mi Tzu/ The Waiter/ Musical director /Pianist

Company: Norwich University Of The Arts

Director: Adina Levay

The Good Person Of Szechwan follows the journey of a kind hearted prostitute as she battles to preserve her morality. In our interpretation of this play, we incorporated Brechtian Techniques alongside Chekhov's psycho-physical approach, to create an immersive performance with emotionally driven characters.

In my role as Mrs Mi Tzu, I worked as an Upper Class authoritative figure who is lacking  in morals, contrasting the main character. 

I composed the Scores for the Musical, and helped direct the learning of these songs within the group.

Expectation is the root of all heartache ( Shakespeare, Romeo and Juliet)

Type: Stage

Year: 2026

Role: Lady Capulet

Company: Norwich University Of The Arts

Director: Louise Amos

A stage performance of a montage of Shakespeare scenes, highlighting the highs and lows of love.

In this performance I acted as Lady Capulet, conveying intricately the relationship between husband and wife and the differing, mother and daughter.

Eigengrau

Type: Stage

Year: 2024

Role: Cassie

Company: Norwich University Of The Arts

Director: Louise Amos

A four person play, focusing on the relationships between two households of young adults as they try to make their way in the world. 

my role as Cassie focused on her relationship with men and how this is influenced by her fervent struggle against patriarchal oppression.

The Straw Bear

Type: Short Film/ performance Art

Year: 2025

Role: The Straw Bear

Company: Norwich University Of The Arts

Director: Frankie Bruce

In this experimental film, exploring waste pollution in a way that immersive and collaborative, I wore a costume that made purely from recycling to demonstrate surrealistically the impact of the waste crisis on our environment.

Chimera

Type: Short Film

Year: 2025

Role: The Therapist/ voice-over narrator / writer / cinematographer / Editor

Company: Norwich University Of The Arts

Director: Lauren Edworthy

This short film, written by myself, explored themes of escapism and mental health struggles. This work gave me experience with script writing, directing, cinematography and the basics of editing on Premier Pro Software.

Love Beyond Confinement

Type: Short Film

Year: 2024

Role: Zal

Company: Norwich University Of The Arts

Director: Frankie Bruce

A Persian and Western Fairy Tale combined, in this reimagined Rapunzel storyline, Zal sets out on a transformative journey after abandoning his King, encountering love, danger and self-discovery whilst trying to unite kingdoms.

This short film worked with gender bending, creating a queer version of the original script.

Voice reels

Monologue  Show Reel

Gallery

Headshots

Mark Davis

bottom of page